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You can finally hear the interplay between the two basses—one electric, one upright—that Brian often used to "fatten" the low end.

The 2012 high-resolution release typically highlights the meticulous stereo mix created by Mark Linett. While Brian Wilson originally mixed the album in mono (due to his partial deafness in one ear), the 24-192 stereo version offers a breathtaking perspective.

providing a baroque-pop foundation.